On Sunday I went to Patrick Blaizel‘s La Maison des Encans de Montréal to see his auction of Canadian Art (and other things as well). I was only able to stay for 127 lots. By my count only 11 lots didn’t sell, which is a very big difference from the results at Iegor – Hôtel des Encans, where they only sold 46% of the lots.
By my calculations they grossed about $175,000 on those 116 lots. (Once again, take any figures I give with a grain of salt, trying to juggle a video camera, pen, paper and keep track of what happens is fraught with the possibility of making mistakes.) – All prices noted here include the 15% buyers premium and all local sales taxes. All the lots and how much they sold for are here.
Some of the highlights were paintings by Marc-Aurèle de Foy Suzor-Coté
and A.Y. Jackson.
Which sold for $3,930.41 and $22,272.34 respectively.
Which sold for $2,358.25 and $6,812.72 respectively.
An oil painting on board by R.W. Pilot.
Which sold for $9,170.96
An oil painting on panel by Marc-Aurèle Fortin.
And an oil painting on panel by J.W. Beatty.
Which sold for $12,446.31 and $10,088.06 respectively.
The lowlight of the auction had to be this painting by André Bergeron, which even when the opening bid was lowered down to $50, did not get a single bid.
But besides the obvious differences between the auctions of M. Blaizel and M. de Saint Hippolyte, M. Blaizel sold real estate, furniture, collectibles and other things besides the art, the thing that fascinated me was the differences in their style of selling art. M. Blaizel clearly points towards the current high bidder, talks with the audience, offers certificates of authenticity, tells the audience when something doesn’t meet the reserve price and in general is much more transparent in how he does business.
And it appears I’m a YouTube superstar, I’m all over this video from Iegor – Hôtel des Encans, that’s me in the white t-shirt with the glasses on a string.