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Back in February I interviewed Jason Nelsons, chef/owner of Le Renard Artisan Bistro. Initially it was going to be a video, a long video. But things being what they are it morphed into an audio interview, and extremely long audio interview. So I have chopped it into two parts. The first part is here, and the second part is below:
Back in February I interviewed Jason Nelsons, chef/owner of Le Renard Artisan Bistro. Initially it was going to be a video, a long video. But things being what they are it morphed into an audio interview, and extremely long audio interview. So I have chopped it into two parts. The first part is here, today, and the second part will be published next Monday.
In season two, episode nine of the EZ Montreal Art Podcast, Eloi Desjardins and Chris ‘Zeke’ Hand discuss the recent exhibits of Eve Sussman and Michel de Broin at the Musée d’art contemporain de Montréal.
The EZ Montreal Art Podcast: Eve Sussman and Michel de Broin
To start off, since neither one of us really keeps serious track, we get the numbering completely wrong. Eloi states how he prefers a raw recording and Zeke goes along for the ride. The discussion begins in earnest with a list of shows that are happening during the summer.
Zeke makes a joke. Zeke calls Michel de Broin disposable and is wrong in asserting that the Shared Propulsion Car was powered like the Finstones car. Eloi was right, it uses pedals. Zeke talks about how M. de Broin uses antique materials in Blowback. The two of them enumerate the works. Eloi calls them cute and witty. Then the conversation shifts to Eve Sussman. Eloi gives the back-story of the exhibit. Zeke states that he prefers to view each piece individually. While at the same time Zeke thinks that whiteonwhite is a masterpiece. Zeke reiterates what he likes and dislikes about video art. Eloi calls it complex and dense. Zeke asks a conceptual question.
Zeke realizes that everyone complains about attendance. Eloi brings up marketing. Zeke brings up the catalogues and gets confused. Eloi gets all personal and recounts a story. Zeke recounts a story from his interview with Alexandre Taillefer and explains why the catalogues are the way they are.
Things digress and Eloi tries to get to get some kind of ranking of the shows out of Zeke. Zeke explains how to view objet perdu. Eloi improvises a conclusion and Zeke asks Eloi for his rankings of the shows. The two of them talk about future plans and then finally the Trivia Question is asked.